Artist Statements & Portfolios

Artist Resume Example: A One-Page Sample You Can Copy

An artist resume is one page that gets you through a specific door: a teaching job, a commission, a studio role, an art fair. Here's a complete sample, section by section, and how to tailor yours.

Elli Milan teaching a Mastery Program lesson on building a living as an artist
Elli Milan teaching the Mastery Program lesson Breaking the Starving Artist Myth

An artist resume is a one-page summary of the experience that matters for one specific opportunity: an art teaching job, a studio assistant role, a commission client, a mural, an art fair. It opens with your name, website and contact details, gives a two-line summary of who you are as an artist, then lists your art experience, useful experience from other jobs, your skills, your training and a few selected shows. You rewrite it for every opportunity.

Below is a complete sample you can copy, then a walk through each section, how a resume differs from an artist CV, and how to write one when you feel like you have nothing to put on it.

What does an artist resume look like?

A good artist resume fits on one page, puts the most relevant experience near the top, and links to your art. Here’s a full example. Maya is a made-up artist, so you can see the format without anyone’s private details. She’s applying to teach weekend painting classes at a community art center.

Maya Torres

Painter and art instructor · Tucson, AZ · maya@example.com · (555) 014-2290 · mayatorrespaints.com · Instagram @mayatorrespaints

Summary

Oil and mixed media painter with four years of teaching adult beginners. Clear demos, patient one-on-one feedback, and classes that run full. Looking to teach weekend painting classes for adults.

Art experience

Painting instructor, Desert Bloom Community Arts Center, Tucson, AZ, 2023 to present. Teach a six-week beginner acrylic class for groups of 10 to 14 adults; plan each lesson, prep supplies and give individual feedback during class.

Commission artist, self-employed, 2021 to present. Painted 18 pet and family portraits for private clients, each delivered on the agreed date.

Live event painter, self-employed, 2024 to present. Painted six weddings and private events live, finishing each piece in the studio within three weeks.

Other experience

Office manager, Hillside Family Dental, Tucson, AZ, 2015 to 2021. Ran scheduling for four providers and trained two new front desk staff.

Skills

Oil, acrylic and mixed media · color mixing and value · teaching adults with no art background · lesson planning · photographing and editing artwork · Instagram and email newsletters · invoicing and client contracts

Training and education

Online oil painting program, 2022 to 2023

Weekend portrait workshop, 2022

BA, Business Administration, 2014

Selected exhibitions

“Small Works,” group show, Desert Bloom Community Arts Center, Tucson, AZ, 2025

Solo show, Juniper Coffee House, Tucson, AZ, 2024

Notice what Maya did. Her teaching job sits first because the opportunity is a teaching job. Her dental office years stay on the page in one line, because training new staff is teaching. And her website is in the header, where a hiring manager can click straight to her paintings.

What is the difference between an artist resume and an artist CV?

A resume is short and tailored to one opportunity, and a CV is the complete record of your art career. The resume can carry non-art jobs, skills and a summary. The CV lists your education, every exhibition, awards, residencies and publications, and it keeps growing for as long as you paint.

As a rule of thumb, teaching jobs, studio roles and commission clients want a resume, while galleries, grants and residencies want a CV. Art calls sometimes use the two words loosely, so read the application carefully. If a juried show asks for a “resume” and the form has room for an exhibition list, they most likely want your art record. When it’s unclear, send the CV format at the length they ask for.

The easiest system is to keep your full CV as a master document and build each resume by choosing from it. Our artist CV guide has a template for that master list.

When does an artist need a resume?

You need a resume whenever someone has to decide whether to trust you with a job, a space or their money. For many working artists that’s less often than they expect. Inside the Mastery Program we’re direct about this: the old gatekeeper questions (what school did you go to, let’s see your CV, who do you know) matter far less than they used to. A collector looks at your art, your website and your social media, and asks whether the painting grips their heart.

The resume still opens specific doors, and there are more of those doors than ever. Artists today earn in layers: originals, then prints, licensing and commissions, then teaching, then experiences and live events, then digital products. Several of those layers start with someone asking for a page about you:

  1. Teaching. Community art centers, private studios, schools, retirement communities and parks departments almost always ask for a resume. If teaching is part of your plan, our guide to turning your art skills into teaching opportunities covers where to look.
  2. Commissions and corporate clients. Businesses, designers and venues buying a large piece or a mural want to see that you can deliver. Pair the resume with your commission process.
  3. Live and event painting. Wedding planners and event venues want proof you’ve done it before and handled a crowd.
  4. Studio, gallery and shop jobs. Studio assistant, gallery staff, framing shop and art supply roles are hired like any other job.
  5. Art fairs and juried shows. Many applications ask for a short resume alongside your images. Here’s how juried shows work.

What should an artist resume include?

Seven sections cover almost every artist resume. Use the ones that help with this opportunity and leave the rest off.

  1. Header. Your full name, city and state, email, phone, website and one social handle. The website matters most, because it’s where your art lives.
  2. Summary. Two or three lines naming your medium, who you’ve served and what you’re looking for. Write it for the person reading it: “Looking to teach weekend painting classes” beats a general mission statement.
  3. Art experience. Teaching, commissions, live painting, murals, assisting another artist, art sales. For each, give the role, where, the years, and one line with a number or a result.
  4. Other experience. Past jobs that prove a skill the opportunity needs. One line each.
  5. Skills. Your mediums and techniques, then the practical skills: teaching, photographing your art, social media, invoicing, client contracts.
  6. Training and education. Degrees, workshops, online programs and mentorships, newest first.
  7. Selected exhibitions and awards. A few of your strongest shows or honors. The word “selected” tells the reader there’s a fuller list on your CV.

Keep the formatting consistent. If one entry reads role, place, city, years, every entry reads that way. Use one clean font, no art images pasted onto the page, and send it as a PDF named with your name, like Maya-Torres-Resume.pdf. Your images belong in your portfolio, sent alongside it.

How do you write an artist resume with no experience?

You write it by taking an honest inventory of what you already bring, because you’re not starting from zero. One of the Mastery Program lessons on choosing a career path asks students to name their unfair advantages before they decide anything: an audience from a past venture, a professional network, a former career as a doctor or a lawyer, a skill like making content, even the speed at which they paint. Those same advantages belong on a resume.

Start with the art you have done, and count all of it:

  1. Training. Online courses, workshops, a mentorship, a class at the community college.
  2. Commissions. A portrait for a friend, a house painting for a neighbor, a piece you were paid for in any amount.
  3. Exhibitions. A community show, a cafe or library display, a piece donated to a fundraiser auction, an open studio day.
  4. Teaching. A kids’ art club you helped run, a paint night you hosted for friends, a church or homeschool group class.

Then translate your other jobs into the skills an art opportunity needs. A nurse stays calm and explains things clearly, which is exactly what a beginner class needs. A teacher already knows how to plan a lesson. A salesperson is comfortable talking to collectors at a booth. An office manager like Maya runs schedules and trains people. Each one gets a single line that names the skill and the result.

What you never do is pad it. A short honest page holds up when someone asks about a line. A padded one falls apart in the first conversation, and the people hiring artists talk to each other.

Which skills belong on an artist resume?

List two kinds of skills: what you can make, and how you work with people. The first kind is your mediums and techniques. The second kind gets you rehired, and most artist resumes leave it out.

The Mastery Program lesson on emotional intelligence for artists describes the high-EQ artist as adaptable, a good listener, collaborative, teachable and dependable, someone who communicates clearly and responds professionally. The point is simple: if people like working with you, they buy your art, hire you back and send their friends. Commission work depends on this most, because the job is listening for what the client wants the piece to feel like, beyond the colors they named.

The trick is to prove those qualities rather than claim them. “Dependable” on a resume means nothing. “Painted 18 portraits for private clients, each delivered on the agreed date” proves it. “Good with people” is empty, and “Taught 10 to 14 adult beginners per class” shows it. Go through your skills list and turn every adjective you can into a line of evidence somewhere on the page.

How do you tailor an artist resume for each opportunity?

Tailor it by reading the listing first, then reordering your sections and borrowing its words. If a community center wants someone to “teach beginners in a supportive environment,” your teaching lines go to the top and your summary uses the word beginners. If a restaurant owner wants a large commission, your commissions and your website go first, and the teaching drops to one line or off the page.

Keep three versions saved so you’re not starting over each time: a teaching resume, a commission and client resume, and a shows resume for art fairs. Each one takes ten minutes to adjust once your master CV exists.

What mistakes make an artist resume look unprofessional?

The common mistakes are length, clutter and overclaiming. Watch for these:

  1. Two pages of everything. If it doesn’t help with this opportunity, it lives on your CV instead.
  2. No link to your art. A resume without a website or portfolio link leaves the reader guessing.
  3. Inconsistent dates and formats. Pick one order for every entry and keep it.
  4. Decorative fonts and pasted images. They’re hard to read and print badly. Let your portfolio carry the visuals.
  5. Adjectives without evidence. Replace “passionate, creative, hardworking” with what you did and how many times.
  6. Claims you can’t back up. Every line should survive a follow-up question.

Your resume gets you in the room, and your art does the rest

A resume earns you a closer look, and once someone looks, it’s your art, your website and the way you talk about your art that decide what happens next. That’s why the resume is the smallest piece of a professional presence. Next to it you want a clear artist statement, a short artist bio, and a portfolio of paintings that look like they came from the same artist.

If that last part is where you feel stuck, it’s the part we spend the most time on. The Two Week Challenge is a good place to start building paintings worth linking from the top of your resume. Write the page honestly, keep it to one, and send it to the opportunity you’ve been circling.

Frequently asked questions

What is an artist resume?

An artist resume is a one-page document that summarizes the experience, skills and training that matter for one specific opportunity, such as an art teaching job, a studio assistant role, a commission or an art fair. It includes your contact details and website, a short summary, relevant art experience, other jobs that show useful skills, and a few selected shows. You rewrite it for each opportunity.

How long should an artist resume be?

One page for most artists, two at the most. A resume is a summary, so it only carries what helps with the opportunity in front of you. If you have more exhibitions, awards and training than fit on a page, keep them in a full artist CV and choose the strongest few for the resume.

What is the difference between an artist resume and an artist CV?

A resume is short and tailored: one page, written for a specific job or client, and it can include non-art jobs and skills. A CV is the complete record of your art career (education, every exhibition, awards, residencies, publications) and it grows over the years. Teaching jobs and commission clients usually want a resume. Galleries, grants and residencies usually want a CV.

Should I put non-art jobs on my artist resume?

Yes, when they show a skill the opportunity needs. A past job in an office, a classroom, a hospital or a store can prove you're organized, good with people, dependable with deadlines or able to teach. Give each one a single line that names the skill and the result, and keep art experience above it.

How do I write an artist resume with no experience?

Start with an honest inventory. Count workshops and courses as training, commissions for friends and family as commissions, and a community show, a cafe display or a donated piece at a fundraiser as exhibitions. Then add the skills you bring from past jobs. Never pad it: one strong honest page beats a long one that won't survive a follow-up question.

What to practice this week

  1. Open a blank document and list every art-related thing you've done, in any order: classes taken, pieces sold or gifted, shows, commissions, anything you've taught. Sort it into resume sections afterward.
  2. Write your two-line summary for one real opportunity you'd like to apply for this month, naming your medium, who you've served, and what you want next.
  3. Rewrite one past non-art job as a single resume line that names a skill and a result, like the office manager example in this post.

Supplies used

Portrait of Elli Milan

About the author

Elli Milan

Elli Milan is a working artist and co-founder of the Milan Art Institute. She has spent decades painting and teaching, and built the Mastery Program to take serious artists from blank canvas to a body of work that is truly their own.

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